|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I wonder when/if I'll get tired of
this medium |
|
|
like will I get tired of wikis |
|
|
But you know |
|
|
when something has |
|
|
potential |
|
|
|
ExcelBlogging on the road |
|
|
|
|
|
|
|
Just passt Magic mountain |
|
|
|
|
|
|
|
Going to have x-giving tomorrow |
|
|
|
|
|
|
|
Perfect medium for both some art and
text |
|
|
|
|
silver back |
Like a pack of elephants |
|
better than blogging straight into
photoshop |
|
|
|
orangutang |
|
|
|
|
|
|
too hard to insert lines of text |
|
|
|
you can't stop the train |
|
|
|
|
|
Deletion resistance up in this
heazy. |
|
|
|
|
|
|
|
|
|
on a basic level though, some people
would take "Excel Art" to mean just making each cell |
|
|
|
|
one pixel large and creating |
|
|
|
a mario face or something |
|
|
|
|
DJ PHIL UP IN THE HOUSE |
|
|
|
|
This is much better than stream of |
That was fun, remember that. |
|
|
|
|
|
consciousness |
|
|
|
|
|
|
|
|
|
by stream I mean, the usual one
single text pad |
|
|
|
|
|
What's amazing about the web, the
Internet, and computers |
|
|
A lot of its still just run on the
power of the written word |
|
|
|
GUTENBERG would've been amazed |
|
|
|
|
|
|
ERASMUS, manOletters |
|
|
|
These MEN |
OF LETTERS |
|
|
|
|
|
they could've never imagined that
simple statements |
|
|
if |
|
|
then |
|
|
else |
|
|
wtf |
|
|
could be running the glue for a
global mind |
|
|
|
|
|
Ah, the Singularity |
|
|
|
I find it ironic that I'm using the
same color-bared |
|
|
|
|
thingy that I use on |
|
|
|
|
PHILOSOPHISTRY |
|
|
|
|
|
|
|
|
Yeah, cartesian writing |
|
|
|
|
it's cool, benefits of excelish, its
like, your thoughts can go all over the place |
|
|
|
How many people when they think
cummings think |
|
A name is necessary for this thing |
|
|
without disobeying the paragraph
pathology |
|
|
pink |
|
cum |
|
Excelish is my current name |
|
|
|
|
4 |
|
I think about cum all the time, mmmn |
|
|
|
|
porn |
|
uh |
|
Excel Mind |
|
|
|
|
Mind Excel |
|
|
|
|
|
|
Exceloging |
|
|
Pink is very manly |
|
|
eh, we'll let the community figu |
Excelart |
(is the easiest term) |
|
|
|
re it out. |
|
layout |
|
|
|
|
you're more laying things out |
|
|
|
excel meets e.e. cummings |
|
|
Gender is messed up these |
|
|
|
|
|
days |
|
excel. Excel. Cummings |
|
|
|
|
|
|
|
You never know anymore. |
|
funny, I mentioned cummings the
other day |
|
|
|
I'm sure there's some meaning to the
coloring, I don't pick them |
|
|
RANDOMLY |
|
|
|
more |
|
|
|
|
|
|
|
|
UGH, OUIJI |
Ouiji-randomly |
|
|
|
|
|
Love that shit |
|
|
|
|
|
|
|
|
|
we're passing the bud-weiser factory |
|
|
Looks like I found another space for
my mind |
|
|
Blogging let the floodgates open |
|
|
|
|
Okay, now… |
|
|
Damn, sandwiched between time, time
is so linear |
|
if they could |
|
|
|
put timestamps or osmething |
|
|
Each cell should get a timestamp |
|
|
They could record each change for
sure to each cell |
|
|
(and take you there, you can watch
it happen) |
|
|
|
|
Blogs, everything, the whole world,
will be linear |
|
|
|
|
|
|
|
|
|
Linear algebra |
|
|
well, I have a few fans, thank god
for them |
|
|
|
|
|
|
|
cuz |
|
|
|
|
|
|
|
|
|
|
of time |
|
|
|
|
|
|
|
|
|
a |
|
I wonder if we'll ever beak out of
time |
|
|
|
|
limitation |
|
|
|
that nobody'll take it seriously? |
|
of this excel art |
|
|
|
|
|
|
|
|
|
Dah, nobody takse me seriously |
|
|
|
|
|
|
|
|
I could have templates, where the
shapes are all square |
|
|
Yeah, this will not be like, a sort
of, work on little pieces |
|
That'd be in advanced Excel Blogging |
|
|
|
|
but basically, like branches |
|
Yeah, just call it Excel Blogging |
|
|
|
it could be tohugh |
|
|
I still find it ironic that my site |
|
|
you think |
|
|
|
PHILOSOPHISTRY |
|
|
|
looks so much like what I'm |
|
|
|
putting out here |
|
|
And the cool thing about art, is
seeing stuff like |
|
|
|
|
|
psychological selection effects |
|
|
having what you output get fed back
to you |
|
|
I find the colored bars interesting |
|
|
|
FEEDBACK LOOPS |
|
|
|
no wonder |
|
|
|
when I do something creative |
|
|
|
I gravitate toward that |
|
|
|
But why do I like the colored bar |
|
|
|
|
|
|
|
|
|
MAYBE CUZ I CANT FUCKING DRAW |
|
|
|
Shit man, I know I'm a GOOD ARTIST |
|
|
Dammit, my super-ego won't let me
say that |
|
|
I'm a good artist |
|
|
|
I have to say something lik |
|
|
|
(I'm half-way decent) |
|
|
|
|
|
|
|
|
If there ever is a problem with
writing |
|
|
its this bias toward modesty (which
is insidious) |
|
|
insidious because writing is kind of
the antithesis of modesty |
|
|
|
People say stuff like |
|
|
|
Well, they've been doing it since
Athens |
|
|
|
prepending speeches with |
|
|
|
We thank the Gods, and I'm just a
lowly man |
|
|
|
|
|
|
|
|
|
So as to prep the listerner's mind
to listen |
|
|
|
To LISTEN |
|
|
|
LISETN |
|
|
|
LISTEN |
|
|
|
LISTEN |
|
|
|
|
|
|
listening and speaking, it's all
about duplicating |
|
|
|
my thought |
|
|
|
|
|
|
into |
|
|
|
|
|
your head |
|
|
|
so like |
|
|
|
|
it's kinda insidious |
|
|
|
|
|
|
cuz, you try to coax the listener to
listen to you |
|
|
|
|
by being humble |
|
|
|
|
|
|
and then, you pour your magic into
their ear |
|
|
|
mmnm |
|
|
|
yummy |
|
|
|
NEW TOPIC |
|
|
|
|
|
|
|
what would e.e. cummings think? |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
This is like all e.e. cummings |
|
|
|
|
The whole thing |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|